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Home » Categories » Entertainment » Television » Breaking Into Hollywood - How Do I Sell My Own Reality TV Show? » Printer Friendly

Donna Michelle Anderson

Breaking Into Hollywood - How Do I Sell My Own Reality TV Show?

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Submitted Tuesday, May 08, 2007
Donna Michelle Anderson (776)
Donna Michelle Anderson

http://www.planetdma.com
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How do you sell your own reality TV show?   If you're like most people who work in reality TV, you sell a show by working for some years in reality television, amassing good credits and production experience, building strong relationships with production companies, networks and vendors, running someone else's shows for trench education, then pitching your concepts and your solid reputation to make your first sale(s).  If that doesn't sound like you, or even if it does, please read on.

If you're like most people who don't work in reality TV, you sell a show by coming up with an entertaining concept and find a personal "in" to a network exec or a production company where you can pitch. If a network exec likes the idea, s/he will partner you with a production company or show runner s/he already knows and trusts, and they will execute your concept. You will turn all of the control of your show, as well as most of whatever initial fees come in, over to the show runner or production company.

The same process happens if you approach a production company yourself to bring your idea to a network for you. Your attorney will work with the production companies to hammer out a "deal memo" that spells out what involvement, if any, you will have in the show. The company will do their best to remove you from any control over the process...because you have no idea how to run a television show. They also will take most of the money involved...because you are bringing nothing to the table but an idea that they will have to do all of the work to develop then execute, as well as use their hard-earned contacts to sell. In their eyes, you are bringing nothing to the table.

If you are still reading this blog after that stunning statement, you are ready for the road ahead as you try to pitch a show. You understand now how the industry will perceive you, and you accept your own limitations as someone who knows nothing about making a show but has an entertaining spin on a popular concept. You also understand, because I'm about to tell you, that you are not going to become rich when the show is sold.

Don't confuse non-fiction TV with selling a movie or a sit-com or drama. "Back-end" and "created-by" fees and "residuals" are rare in this world. On your very first sale, be ready for some serious compromise if all you have is an idea.  Your attorney is going to work hard enough just to keep you from being removed from the show entirely.

I'm going to write that again. YOUR ATTORNEY IS GOING TO WORK HARD ENOUGH JUST TO KEEP YOU FROM BEING REMOVED FROM THE SHOW ENTIRELY.

So how exactly do you sell your own show?

The smart way is to work in the biz and know that you are selling yourself and your experience and your reputation and your contacts far more than any concept itself. In fact, networks who have come to know you will call you and ask you to do a show for them! And you will be able control the production process and make the fees from it, because you've learned and earned you way into that position. Your agent is your best friend here because s/he is pitching you non-stop to the nets, setting up meet-and-greets with execs and keeping you up-to-date on how the net calls for content are shifting (and they always are shifting).

The fast way is to have a terrific concept and partner with someone else who can get it executed. You will have researched similar shows, checked out imdb.com for company and network information and approached the right people to match your genre and audience. If all goes well, you, indeed, will have sold a show, but often with limited involvement or reward! Your attorney will be your best friend here because s/he will need to be determined and creative to keep you a part of the process after the sale.

The back-door way is to know a person or property (like a popular book) that people want a piece of, develop a show with them attached to it, and have a written "option" that binds them to any sale. This is where having Paris Hilton as a close friend actually is a good thing. A hypothetical: Yes, she stole your boyfriend, but she felt so bad that she signed an option agreement allowing you to shop a makeover show with her as the host. Pretty much anyone will talk to you now, and you'll have a lot more power keeping yourself attached since you are, at last, bringing something bankable to the table!

Whatever way you try to sell your show, remember, as always, to do an "entitlement" check before you start the process. If you are not Tyra Banks, do not expect to get a deal like Tyra Banks. If your talent is not Donald Trump, don't expect to get a budget like Donald Trump's. And if you have never run a television show (I didn't say never written, produced, edited or shot, I said RUN), then don't expect to run even your own. Not the first season, at least.

And please don't go into reality TV to get rich. (Where are all of these Discovery Health- and Food Network-producing millionaires people think they're joining the ranks of?) If you want to get rich, please go back for your MBA and head to Wall Street and build and protect your stock options like everyone else does. There's way more chance you'll get a return on your investment - and in a far shorter period of time! If you want to get rich quickly, with minimal effort, keep buying scratchers and hope for the best.  But if you really want to make reality TV, while there's no money at the start in this world, like almost everything else, working hard in this business ultimately has its own personal, professional and, yes, financial rewards. Plus sometimes, you get to make people eat bugs.


DMA is a former film story analyst and performer who has spent over a decade creating, producing and running successful non-fiction and new media projects for networks including CBS, Bravo, A&E, TLC, BET and more.  Learn how to sell a screenplay and how to pitch and sell a reality show from her books, “The 1-3-5 Story Structure Made Simple System: The Nine Essential Elements of a Sellable Screenplay" and "The Show Starter Reality TV Made Simple System: Ten Steps to Creating and Pitching a Sellable Reality Show."






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Comments on this article:


» left by Tiffany (1 year 224 days ago.)
Reader Rating: 5 out of 5
WOW, that just discouraged me!
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» left by Anonymous (65 days 21 hours ago.)
Be confident.  If there is nothing in it then why are you in the works of a TV deal ?
Is that so we will buy your books ??
Everything worthwhile is hard. Of course you aren't going to get a Trump deal
but if you sell a GREAT show that is a hit of course you are going to make money.
The creator of CSI used to drive a tram at the Mirage Casino in Las Vegas.
Anything is possible....not always easy but worth the try.
 
 

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» left by Donna Michelle Anderson (776)
Donna Michelle Anderson
(65 days 16 hours ago.)

This is why I wrote the book. 

People do not understand the difference between the fiction business model (like creating a "CSI") and the non-fiction business model (like creating a hit reality show).  Our model is different, and our money is not in selling shows.  It is in producing them.  If you do not have any experience producing TV, then it is not realistic to expect to be paid to produce one your first time out.

I know the "TV deal" question was not a literal question, but I want to answer it to bring this point home.  When I sold my first show, I had been writing, producing then running non-fiction shows for nearly 10 years.  I knew how to produce a show.  I had great contacts at the networks.  I had great contacts for staffing and casting.  So while I did not make money when I sold the show, my company was in a position to produce it, and that is how I earned money, per our non-fiction business model. 

Believe me, If you want to sell a show, that is hard enough but absolutely possible.  If you want to make money just for selling a reality show (as opposed to being able to produce it), that is even harder and, frankly, unlikely even when you are established in the industry.  This is a business, and there is a process, and we are not a get-rich-quick scheme.  Learn the industry, make some contacts and earn your success.  It works out pretty well!

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» left by DMA (1 year 224 days ago.)
I understand, Tiffany,but please consider using this as great insider information so you can make a real plan to sell a show that will work inside of the business model you're trying to crack. It's a lot like the young women who watch America's Next Top Model - as tough as the experience always is, that show helps aspiring models realize it's not a get-rich-quick-for-no-effort industry. Neither is reality TV. It's a lot of work for a lot of reward, just not financially at first. All the best with your projects!
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» left by Jenna from Hollywood (1 year 113 days ago.)
Reader Rating: 3 out of 5
I have a group of talented reality concept writers with great idea after Idea. How do you suggest the approach of getting our entire team hired on to be the basis of ideas for reality on a certain network? Thanks
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» left by DMA (1 year 112 days ago.)
Hi, Jenna - the jobs your team is interested in are in "development" at networks, studios and production companies. But it's important to remember that coming up with ideas is not the challenge for most organizations. Developing shows actually is about executing those ideas, from episode outlines to budgets and schedules to casting plans and more. Working inside of the industry and getting to know what makes formats shootable, castable, sellable and watchable is a terrific start to honing those talents, and those working relationships ultimately will get your team into the door of creative positions.
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» left by Bry from los angeles (350 days 5 hours ago.)
Reader Rating: 2.5 out of 5
yes this article was very helpful . now im ready to enter the world of entertainment and show people who i am im not worried about the money. I just want people to know who i am and how ii can be the next tv show or show there going to love. Such as Fresh prince of bel-air, The Cosbys Or One On oNe. I have a l ot of talent and different things that happen in my life that i would love to share with the world. Such as meeting different people hangin with them at there house . Dancing with big stars traveling all sorts of things . I hope to one day be Successful and have a lot of money but im young and im lving life to the fullest and ii would love to share it with the world.Cause im very sure they would stay tuned to see what happens next!
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» left by diana from NYC (303 days 10 hours ago.)
Reader Rating: 5 out of 5
This article was very helpful. I've been working on a concept for a show for the past ten years in my profession. I'm sure that the concept is extremely sellable but, i'm afraid that once the idea is out, that someone with the experience will take the idea and run with it as if it were their own. How do I protect my concept and do u know of a website that will link me to reality attorneys in the NY area?
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» left by Anonymous (207 days 6 hours ago.)
Diana, it is really important to remember three things: 1) there are very few original ideas, just original executions of them. Your idea can't be protected, but an developed treatment certainly can; 2) whatever your pitch is, someone just pitched it yesterday. What you add that is distinctive, such as a talent attachment, can be the difference between extraordinary shows like The Dog Whisperer and the-other-dozen-doggy-obedience-shows-that-didn't-sell; and 3) you cannot sell something no one sees. Far more help and info at my blog and book at Planet DMA.
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» left by Sandy from NJ-MD (195 days 11 hours ago.)
Reader Rating: 4.5 out of 5
Hi Donna, I have a unique reality show concept and a talented host as well with a 100,000 following of his own, and was told by a NY agent that they wanted us to produce a 5 minute reel of the show. Then maybe they would want a pilot, what is entailed with that on my part, are they looking to pay us for a pilot, and us to find a production company and how much do they pay? Do you suggest investing that initial reel time and money just to pitch the idea?? The agent said he wanted to see how the host related to other people on camera. Also how do I protect my idea?

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» left by Donna Michelle Anderson (776)
Donna Michelle Anderson
(195 days 10 hours ago.)

Hi, it's DMA - good for you for starting with strong talent! Many of your questions are answered in great detail on my free blog at Planet DMA - please start there, and with my book, because a full explanation of reality pilots, reels, protection and more is beyond the scope of this brief comments section! For now, let me just remind you to put the idea of what you will be paid near the bottom of the list right now. There is not a lot of money (okay, "any money") - in the front end of this process. But you are making great choices to get started - keep working hard!
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» left by Pat from Miami (192 days 23 hours ago.)
Hi Donna. Your article answered most of my questions, but just out of curiosity I'd like to know what kind of money networks pay for 22 eps of shows like No Reservations, American Chopper or Little People, Big World. If I understand correctly, if I have a concept for a reality series, but DO NOT have the contacts or resources to develop it myself, the best I can do is bring it to a production company who will then cut me out of the process anyway which puts me right where I started minus my great concept. I won't get any credit or money, so essentially I'd be donating my concept so they can get rich. Remind me why anyone would want to get involved in this.

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» left by Donna Michelle Anderson (776)
Donna Michelle Anderson
(189 days 7 hours ago.)

Hi, it's DMA. The budget range for shows varies depending on the network, and your budget estimate will be impacted by your format, genre, shooting requirements and more. The trick from there is to find a network whose show range meets your estimate range - and to adapt your concept to work across multiple budget ranges. At the lowest in U.S. markets, you are looking at $60K for a half-hour episode or more than $2 mil for an hour. It completely depends, and that is what your professional reality line producer will bring to your pitch process. Remember, you do not keep that money as a fee! I think your understanding of some of the players is clear, and yes, it is a risky business if one is trying to break in with an idea rather than an executed show treatment with talent attached. Definitely read my blog thoroughly, and you will have a clearer view of the rules of the game. After that, the book walks you step-by-step through creating a sellable show and staying attached to it. You're right when you say "Why would anyone want to get involved" in the scenario you described, which absolutely does happen. What I want people to do is learn our business model first so they don't start tossing ideas at production companies and thinking that's the way to have a reality career or sell a show. There is a defined process in our business, just as in any others. And for everyone, I want to remind you that trying to open your reality career by selling a show is trying to start at the top of our business with no experience. Even if you get the opportunity due to a favor, it's a risky choice, and it could jeopardize your chance at a second shot. I say this consistently: there's little or no money up front in our world, so there's no reason to put all of your eggs in the "I'm going to sell a show" basket! That's why I blog and wrote the book - I think once people learn how our business does work, they'll be excited to give it a try. Fact beats fantasy for sure in reality TV. Thanks for the note, and be sure to post a comment when you read the blog at Planet DMA.
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» left by Anonymous (176 days 3 hours ago.)
You guys are all nuts and destined to go round and round and never get anywhere. Here's a clue: Do the show yourself ! EVER THINK ABOUT THAT? Get an idea that is inexpensive and shoot it yourself and hire a couple guys to help. Hundred bucks a day each. You'll have five episode done in a week. Hire someone to help you edit on a budget. Do all five episodes for around $3,000. Put it on DVD, show it on the net, set up your own website, put ads on it to help pay for it. In short: become your own production company. Who the hell needs to grovel? With digital you can shoot it all yourself. Think 'Cops" costs alot? American Chopper? Dirty Jobs? HA ! Start out on a shoestring and if your show picks up, then worry about all the add ons like insurance, traveling and all that.
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» left by Donna Michelle Anderson (776)
Donna Michelle Anderson
(176 days 2 hours ago.)

First, cursing is neither necessary or welcome in this professional discussion. Rather than delete the post, I wanted to correct a few incorrect statements it contains in the event that others come along to this discussion and share the same misconceptions about how our business works.

1) What this poster has listed is a way to create a reel. What this is not good advice for is a way to create a sellable product. Not just to a network but to an audience. You know DIY when you see it, and you probably love it on YouTube (I certainly do!). But that doesn't mean it will make money or start a career for you, as most of the posters to video sites will attest.

2) Before you shoot one episode, and certainly five (in one week...why would anyone do that? What crew and participants and story could possibly benefit from that so you can save money?), there is a good deal of pre-production you have to do to prepare for the shoot days. From contracts to location deals to releases to accommodations for your participants and crew and more, as well as experienced staff, this costs money. NOT doing it will cost you more, trust me. If you hope to draw an audience, a professional editor will make a dramatic difference to your project. And lights and camera equipment matter - don't cheap out trying to make a buck.

3) If you don't know it, the budget numbers for what the writer is proposing are not realistic beyond producing 2-3 minute shorts with all crew and editing in as favors and no contracts on the table. Always include an experienced professional in your estimates so you don't get stuck with fees you can't cover based on a lack of familiarity with the true costs of production. Our Show Starter Scheduling & Budgeting Plus software is speedy and simple, even for estimates. Also, in the back of the book, I list a sample budget of what it will cost to pitch a show effectively.

4) Of course the listed shows cost far more than $3,000 for five episodes (that is approximately what an editor makes in a week). That is because they are professional productions that garner great ad dollars. Again, be mindful of your goal here. If you just want to have a product and don't care about gathering an audience or making money, that is fine. It's also a different business. This discussion is about reality television.

5) Um, please don't do any of this without insurance. Seriously. This is a business, and business cover themselves and their employees and property. Same goes for contracts/legal fees/lawyers; it is way more expensive to do things without them.

What I think is missing from the author's understanding is the actual business model of reality TV. If you shoot everything yourself and distribute it yourself, it gives you a great deal of control. But if you do not have the audience to watch your product or the considerable time and/or budget to find and retain that audience, you have no way of attracting advertising or even subscribers to pay for your expenses, including simple ad links that will generate meaningful income on your Web site. That is why people go to a third party, such as a network, and you work under that system in exchange for them funding the show, bringing their audience and selling it to advertisers.

I see that the general spirit of this article is "just do it yourself" - and as a new media advocate, I broadcast that spirit to all who will listen. But the product that you can do yourself if you know as little about production as the poster does is very different than what can ever be broadcast or sold to advertisers (unless you have substantial experience and connections in this field).

I really can't stress enough that coming into entertainment and thinking you can and should be successful without any experience or credentials is a waste of your time and the industry's. Rather than trying to figure out how much you can get for the least amount of effort, consider how much you can get for the most amount of effort. You don't get to do open heart surgery the day after you watch an E.R. episode, and you don't get to make quality product that audiences will enjoy the day after you watch Big Brother. There is a great deal of work and talent and brainpower that goes into this business. Underestimating that will only cost you money; it hurts no one else.

DIY videos are the heart and soul of YouTube and other terrific Web 2.0 sites. They are GREAT ways to express yourself. But they are difficult to launch a career with and make money from. If it is your goal to work professionally in reality television, and enjoy the perks that come with such a career, be prepared to work very hard indeed.

And in what career is that not an expectation anyway?
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» left by gina from toronto (140 days 12 hours ago.)
I am in the process of selling my 13 episode tv show that I shot using my local TV Stations resources to a production/distribution company.  I am being offered 500 per episode and 70% of comissions...what I am trying to find out (I do have a call into the company to find out but in the mean time) how much money on average I am going to make from one selling of the show...not to a major network or anything
any ideas?
so it if the group of 13 shows sells to a station in china to air...how much on average would I make?

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» left by Donna Michelle Anderson (776)
Donna Michelle Anderson
(65 days 16 hours ago.)

Hi, Gina - a couple of distinctions I think you should make.  First, is the buyer primarily a production company (which you do not need at this point) or a distribution company?  If the latter, you are working out a syndication deal, and those points are to be hammered out between your attorney and theirs.  It is not possible to determine what you will make, but you probably would want to contact other distributors before settling on this fee structure - or hire an attorney who has crafted such deals before.
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» left by sm from nc (28 days 9 hours ago.)
Reader Rating: 5 out of 5
I want a show about my life as a gay male with a gay mother and a gay sister very interesting dont you think.

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