Congratulations. You finally got an audition. All those years of practice and performing in your college’s plays have finally paid off. You now have the chance to show the world of theater what you are capable of. You have one problem. You’ve never actually had the privilege of auditioning against professionals in front of a real life, yes-he-does-this-for-a-living director.
There is a famous quote that I have always remembered about auditioning. It is probably the most important piece of information anyone can give you. Bob Funk once said, "The audition begins when you walk in the door of the theatre or into the office of the agency. From the moment you arrive you are being watched." That pretty much sums up the importance of attitude and confidence.
Auditioning can be stressful especially if you are new to the experience of it all. Unfortunately, it's the best and usually the only way to find work in theater, film and commercials. Here are a few other helpful hints and tips to remember when heading out for an important audition.
Arrive early. Treat this like a job interview since in essence it is one. Arrive at least fifteen to twenty minutes early. You don't want to have to rush into your audition late and flustered. You will also give yourself enough time to warm up.
Always be nice to everybody. This is important for many reasons. First because no one likes a rude person. Secondly, you never know if the person you are speaking to or about is important.
It's important to look your best for an audition, but keep in mind that you will more than likely be asked to jump, dance, or tumble if asked by the director. Dress in loose-fitting, comfortable clothing. Don’t wear a skirt in case of cartwheels. Flip-flops or sandals may be comfortable but they are difficult to dance in. Keep your hair out of your face but in a style that you like and never wear a hat, since it will hide your face.
Try to find some background information about whom and what you are auditioning for. If you are auditioning for a particular company, be familiar with their work. It can also help you decide which pieces to choose for your audition.
If no information about the audition is given, keep your monologue to about a minute in length. Most accomplished directors can tell in that short amount of time if they are interested. Always have several monologues prepared and one longer piece in case the director asks to see more.
Bring at least five of your headshots with you since you never know how many you will need to hand out. Also, make sure your headshot/resume is no larger than 8 1/2" by 11". It will fit easily into the director’s folder. If the headshot is oversized, it will end up in the trash.
It is important to smile. If you are nervous, take a deep breath and try to relax.
NEVER ask if you will be called back. It shows a lack of experience and a lack of respect towards the director. If they are interested in you, the casting director will let you know. If you do get called back, try to wear the same outfit as during your audition.
If you don’t get the part, it doesn't necessarily mean that you didn't have a good audition. It just means that you weren’t right for the part. There will be plenty of other parts you will be right for. And whether you are a newcomer or a seasoned professional, the rule to follow is "never give up practicing!"
Moscow Ballet's Russian Cultural-Ballet Project is an in-depth look at Russian culture for children. The project features highlight performances from classical ballets and small lectures on Russian heritage and customs. For further information on the Nutcracker ballet or nutcracker auditions, visit their website at www.nutcracker.com.
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