Don't be a filmmaker that neglects the importance of a sound script because you feel you have a can't miss movie idea, a buddy that has some film equipment, a hook up on some locations, and have some awesome talent all fired up to be in your movie. I knew this cocky wannabe Hollywood director type that strutted around like a rooster. He had a sure fire hit movie idea along with access to free film equipment he received through a friend. He not only lined up a couple of plush pads as locations, but also had full access to a hip bar near Hollywood and was able to cast two talented actor friends. The crowd he socialized with was in the entertainment industry.
I answered a crew call he posted on the Internet. Soon after he offered me a non-paying gig on his crew as director's assistant (a gofer is more accurate). I was hungry to learn and accepted. After that we would hit a few bars together the rare times I was in the Hollywood area (after a few drinks you can tolerate almost anyone). After a night out with a couple of cast and crew members he handed me a copy of the script.
I use the term "script" loosely. It was about 30 pages with some scenes described and minimal dialogue, if any. At the first production meeting I curiously asked how he was going to turn a 30 page script into a full length feature. He said all the scenes needed for a movie were there, he had a shot sheet to go off of, and the actors would be doing a lot of improvisation. I had only started learning about screenwriting and had yet to make a movie at this point. I was really looking forward to learning more about making movies and hopefully making connections.
What ensued was a shoot filled with chaos. Cast became extremely frustrated that the scenes had no flow. The crew got equally frustrated each time he had to change his shot sheet. Every unplanned change caused delays in set-ups. He went into shooting his movie missing the most important blueprint for the entire production, a sound script. He did finish making the movie, but wasn't able to edit it in post-production because it was a disjointed mess. It was a solid movie idea, but had a half-baked script. I learned later on he basically shelved the footage and pulled the plug on the project. Not the goal this particular filmmaker hoped to achieve. This could have been avoided with some solid advice.
Learning from the process of making and selling films Sid Kali wrote The First Movie Is The Toughest. Sid Kali's realistic approach to making movies has been covered in articles that have appeared in MovieMaker and Indie Slate Magazine.
Slice of Americana Films led by writer-director Sid Kali delivers authentic urban cinema and unrelenting documentaries. Working To Become Part Of Independent Cinema Lexicon.
I've written seven books, 100s of poems and article, but have yet to write a movie script. Many have said I should make my fiction, Black Body Radiation and the Ultraviolet Catastrophe into a movie. I may some day. I've taught writing for years but have yet to write a script. I have a friend in the "biz" who's worked as an AD. One day I looked at a few of his scripts and I noticed that they are very outline-like, kind of like stage plays. When I'm ready to write, I'll let you know. Thanks for the article.
Jeff great feedback. I started off writing short story fiction, but
I've always wanted to try to write a fiction novel. I did get my feet
wet writing a non-fiction book about making movies based on my
experiences, but that's not the same as fiction. When I'm ready to try
to a write a fiction novel I will follow up. Good luck and good writing.
Thanks
Sid
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Article added to SearchWarp.com on 5/12/2009 12:30:17 AM. View other articles written bySid Kali(191)
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